Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.
- Daniel Kany, Portland Press Herald/Maine Sunday Telegram